| Weight (g) | 0.00 |
| Colour | Silver |
| Occasion | Festival, Traditional, Daily Wear |
Three discs run along the finger instead of one sitting across it. The large one in the middle carries a paisley — the curved teardrop with a hooked tip that India calls a mango or ambi — raised in relief and filled with fine scrollwork, with more scrolls filling the field around it. Above and below sit two smaller discs, each stamped with a tight radiating rosette.
Breaking a large ornament into three pieces rather than making one big disc is a deliberate decision and a good one. A single ornament of the same total length would look like a slab; three separate elements let the ring follow the curve of the finger, and they give the eye a rhythm — small, large, small — that a single plate cannot. It also means the piece bends slightly with the hand instead of fighting it.
The piece is brass, plated and then oxidised — chemically darkened and polished back, so the blackening stays in the recesses while the raised surfaces come up bright. That contrast is the whole point of the finish: it is what makes shallow carving read as deep carving, and it is why an oxidised ring at this price can look like worked silver from across a table.
The paisley is probably the most travelled motif in the world. It began as a Persian cypress-and-floral spray, became the standard figure on Kashmiri shawls, and from there went to Paisley in Scotland, which is why English named it after a Scottish mill town. On Indian silver it almost always keeps the hooked tip and the inner filling of scrolls, exactly as here.
This ring is adjustable. The band is not a closed circle — it is a tapered strip coiled so the two ends overlap behind the finger, and you open or close it by a few millimetres with your fingers. In practice that covers most adult sizes, roughly a UK J to a UK S, which is why almost all Indian fashion rings are made this way: nobody has to know their ring size, and the same ring still fits when knuckles swell in summer.
Adjust it off the finger, not on it, and move it gradually. Opening and closing the same band repeatedly is what eventually tires the metal, so set it once to your finger and leave it there.
This is the largest and most expensive of the plain oxidised rings here, and it looks it. It covers most of the length of the finger between knuckles, so wear it alone, on the index or middle finger, with plain clothes and plain nails.
It is a piece that rewards close looking — the scrollwork inside the paisley is finer than it needs to be at this price — so it is worth cleaning the recesses with a dry soft brush occasionally rather than letting dust flatten the carving.
Rings take more punishment than any other piece of jewellery because hands do the work. The things that actually shorten a plated ring's life are water, soap, hand sanitiser, perfume and cooking oil, in roughly that order. The habit worth building is simple: the ring goes on last when you are dressing and comes off first when you are washing up, bathing, cooking or swimming.
Clean it with a dry soft cloth only. Never use a silver dip or a polish — a dip strips an oxidised finish completely and will take gold plating with it, and a polish wears plating thin at exactly the high points you want to keep bright. Store it dry and on its own, because rings scratch each other in a shared box.
| Weight (grams) | 0.00 |
| Colour/Finish | Silver |
| Occasion | Festival, Traditional, Daily Wear |
| Gender | women |
| SKU/Product Code | KEYU-NAA3145 |