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| Metal | Brass |
| Stone Type | No Stone |
| Weight (g) | 15.00 |
| Colour | Oxidised |
| Occasion | Daily Wear |
A rose with petals spiralling inward to a closed centre sits on a broad open leaf, both worked in oxidised antique silver. There are no stones. The band adjusts.
Almost every other floral ring opens outward to a visible centre, usually filled with a stone or a textured boss. A rose does the opposite — the petals spiral inward and the middle is concealed, so there is no focal point and the eye has to travel around the spiral instead of landing in one place. That makes it a restless shape compared with a lotus or a daisy, and considerably more interesting to look at for longer than a second.
Setting the bloom on a leaf rather than directly on the band gives the design a base to sit on and a second texture to contrast with — the smooth furled petals above, the flat veined blade below. It also widens the face without adding another flower, which is why the ring reads as substantial while still having only one bloom.
The whole rose is layers of petal passing behind one another, and layers are only legible if the gaps between them are darker than the surfaces. Oxidising sinks into every overlap so each petal separates from the one behind it. In bright polished metal a rose this size collapses into a crumpled-looking lump, which is why it is rarely attempted in plain gold at small scale.
Adjustable at the back, so no ring size is needed. The leaf marks the base, so sit the rose upward.
Wear it alone. It is one of the few oxidised designs that reads as romantic rather than tribal, which makes it a good match for Western clothes as well as cotton and handloom.
Parties, daily wear, festivals, daytime functions and travel.
Light, though the bloom is sculpted and stands proud of the finger.
This is brass given an oxidised, antique-silver finish rather than solid silver. The metal is deliberately darkened and then the raised surfaces are polished back, so the blackening stays in the recesses while the high points stay bright. That contrast is the entire point of oxidised work — it is what makes every engraved line, pierced opening and raised edge read separately instead of dissolving into one shiny surface. It also means the finish is not uniform by design, and small variations between pieces are normal rather than faults.
Put it on after perfume, hand cream and sanitiser, and take it off before washing up, swimming or sleeping. Wipe with a dry soft cloth only. Do not use silver polish, dip cleaners or toothpaste — they strip the blackening out of the recesses, which is the one kind of damage that cannot be undone on an oxidised piece. Store it dry in a pouch, away from other rings that could scratch it.
Type: Adjustable floral ring. Metal: Brass. Finish: Oxidised antique silver tone. Work: Sculpted spiral rose on a veined open leaf. Stone: None. Fit: Adjustable, open band.
| Metal | Brass |
| Stone Type | No Stone |
| Weight (grams) | 15.00 |
| Colour/Finish | Oxidised |
| Occasion | Daily Wear |
| Gender | women |
| SKU/Product Code | KEYU240T40345 |
