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| Metal | Brass |
| Stone Type | No Stone |
| Weight (g) | 23.00 |
| Colour | Oxidised |
| Occasion | Festival |
A round silver face is worked outward in concentric bands from a single pearl at the centre, finished with a border of raised beads at the rim. The band adjusts.
This is how circular spaces have been filled in Indian metalwork for centuries, and the logic is practical. A round face has no top, no bottom and no corners, so there is no natural place to begin a picture — but there is always a centre. Working outward in bands means each ring can be finished before the next begins, and the design can be made larger or smaller simply by adding or dropping a band.
Everything else on the face is dark, matte and textured. The pearl is the one smooth, pale, reflective thing on it, so the eye goes there first and then travels outward through the bands. Without it the rings would have no origin and the face would read as an even field of pattern with nowhere to start.
Repeating one texture across the whole face would give an even field and the rings would disappear. Changing the pattern at each step — beading in one, straight cuts in the next — forces a visible boundary every time, and the blackening collects where one band meets the next.
Adjustable at the back, so no ring size is needed. A concentric design has no orientation, so it cannot sit the wrong way up.
With no colour anywhere it goes with everything. Wear it alone on the index or middle finger with the hand otherwise bare, and pair with silver-toned earrings rather than gold.
Festivals, daily wear, daytime functions, college and travel.
Light for the width — the face is worked sheet rather than solid metal, and it sits flat against the finger.
This is brass given an oxidised, antique-silver finish rather than solid silver. The metal is deliberately darkened and then the raised surfaces are polished back, so the blackening stays in the recesses while the high points stay bright. That contrast is the entire point of oxidised work — it is what makes every engraved line, pierced opening and raised edge read separately instead of dissolving into one shiny surface. It also means the finish is not uniform by design, and small variations between pieces are normal rather than faults.
Put it on after perfume, hand cream and sanitiser, and take it off before washing up, swimming or sleeping. Wipe with a dry soft cloth only. Do not use silver polish, dip cleaners or toothpaste — they strip the blackening out of the recesses, which is the one kind of damage that cannot be undone on an oxidised piece. Store it dry in a pouch, away from other rings that could scratch it.
Type: Adjustable mandala ring. Metal: Brass. Finish: Oxidised antique silver tone. Work: Concentric worked bands around a pearl centre, with a beaded rim. Fit: Adjustable, open band.
| Metal | Brass |
| Stone Type | No Stone |
| Weight (grams) | 23.00 |
| Colour/Finish | Oxidised |
| Occasion | Festival |
| Gender | women |
| SKU/Product Code | KEYU260K90660 |
