| Weight (g) | 0.00 |
| Colour | Yellow |
| Occasion | Festival, Daily Wear, Casual |
The smallest and most charming ring here. Two slim bands run parallel round the finger, and where they meet at the top sits a parrot no bigger than a grain of rice — modelled in the round, with a hooked beak, a round eye, and a body filled with enamel in green and yellow with a red beak and collar. Beside it hang three tiny ghungroo bells on short links, which actually ring.
The enamel is meenakari, the technique of flooding coloured glass into a recessed metal cell and firing it so it fuses. On a piece this small it is done by hand under magnification, and no two are identical — look closely and you will find the green stops slightly differently on each one. That variation is the mark of the technique, not a flaw.
The piece is brass, plated and then oxidised — chemically darkened and polished back, so the blackening stays in the recesses while the raised surfaces come up bright. That contrast is the whole point of the finish: it is what makes shallow carving read as deep carving, and it is why an oxidised ring at this price can look like worked silver from across a table.
The parrot is the bird of love and messages in Indian poetry and painting — it carries letters between separated lovers, it rides on Kamadeva's banner, and it turns up on everything from Pahari miniatures to Bengali bridal jewellery. It is the lightest-hearted motif in this entire range.
This ring is adjustable. The band is not a closed circle — it is a tapered strip coiled so the two ends overlap behind the finger, and you open or close it by a few millimetres with your fingers. In practice that covers most adult sizes, roughly a UK J to a UK S, which is why almost all Indian fashion rings are made this way: nobody has to know their ring size, and the same ring still fits when knuckles swell in summer.
Adjust it off the finger, not on it, and move it gradually. Opening and closing the same band repeatedly is what eventually tires the metal, so set it once to your finger and leave it there.
Because the bands are slim and the parrot is small, this is one of the few rings here you can genuinely wear every day. It sits low, it goes under a glove, and it is small enough to stack with a plain band. The bells are the only thing that will catch, and they are quiet enough not to be a nuisance.
The one part to be careful with is the enamel. It is glass fused to metal, and glass chips. Take the ring off before anything that would knock it against a hard surface — a gym bar, a car door, a stone kitchen counter — and it will stay bright indefinitely.
Rings take more punishment than any other piece of jewellery because hands do the work. The things that actually shorten a plated ring's life are water, soap, hand sanitiser, perfume and cooking oil, in roughly that order. The habit worth building is simple: the ring goes on last when you are dressing and comes off first when you are washing up, bathing, cooking or swimming.
Clean it with a dry soft cloth only. Never use a silver dip or a polish — a dip strips an oxidised finish completely and will take gold plating with it, and a polish wears plating thin at exactly the high points you want to keep bright. Store it dry and on its own, because rings scratch each other in a shared box.
| Weight (grams) | 0.00 |
| Colour/Finish | Yellow |
| Occasion | Festival, Daily Wear, Casual |
| Gender | women |
| SKU/Product Code | KEYU-NAA3119 |