| Weight (g) | 0.00 |
| Colour | Silver |
| Occasion | Festival, Traditional, Daily Wear |
A single flat disc, about the size of a one-rupee coin, carved with one open flower. Six rounded petals radiate from a small domed centre, each petal outlined by a groove rather than raised above the surface, and a plain rim runs round the edge. There is nothing else on it.
That restraint is what makes this ring useful. Most oxidised rings are built to be noticed — domed, fringed, stone-set, an inch across. This one sits almost flat against the finger, which means it goes under a glove, does not catch on a sleeve or a dupatta, does not scratch the person sitting next to you, and can be worn at a keyboard all day without being in the way. It is the oxidised ring for people who want the finish without the drama.
The piece is brass, plated and then oxidised — chemically darkened and polished back, so the blackening stays in the recesses while the raised surfaces come up bright. That contrast is the whole point of the finish: it is what makes shallow carving read as deep carving, and it is why an oxidised ring at this price can look like worked silver from across a table.
Carving a flower this shallow is harder to get right than carving it deep. With only a groove to work with, the whole legibility of the design depends on the oxidising sitting in that groove and staying there, so the flower is drawn in line rather than modelled in relief. Look at it in raking light and the petals lift; look at it flat on and it reads almost as a drawing.
This ring is adjustable. The band is not a closed circle — it is a tapered strip coiled so the two ends overlap behind the finger, and you open or close it by a few millimetres with your fingers. In practice that covers most adult sizes, roughly a UK J to a UK S, which is why almost all Indian fashion rings are made this way: nobody has to know their ring size, and the same ring still fits when knuckles swell in summer.
Adjust it off the finger, not on it, and move it gradually. Opening and closing the same band repeatedly is what eventually tires the metal, so set it once to your finger and leave it there.
Wear it alone on the index or middle finger, where a flat disc reads best, or stack it with a thin plain band. It works with a kurta, with a saree, and with ordinary Western clothes, which is not true of most of the rings here. Of everything in this range it is the one most likely to become the ring you forget you are wearing.
Rings take more punishment than any other piece of jewellery because hands do the work. The things that actually shorten a plated ring's life are water, soap, hand sanitiser, perfume and cooking oil, in roughly that order. The habit worth building is simple: the ring goes on last when you are dressing and comes off first when you are washing up, bathing, cooking or swimming.
Clean it with a dry soft cloth only. Never use a silver dip or a polish — a dip strips an oxidised finish completely and will take gold plating with it, and a polish wears plating thin at exactly the high points you want to keep bright. Store it dry and on its own, because rings scratch each other in a shared box.
| Weight (grams) | 0.00 |
| Colour/Finish | Silver |
| Occasion | Festival, Traditional, Daily Wear |
| Gender | women |
| SKU/Product Code | KEYU-NAA3150 |