| Stone Type | Monalisa Stone |
| Weight (g) | 75.00 |
| Colour | Blue-White |
| Occasion | Festival |
A striking departure from our plainer oxidised pieces: this necklace strings together small enamelled beads in red, blue, green and yellow along the chain itself, leading to a carved elephant figure at the centre, flanked by two boat-shaped enamel drops in deep red. A matching pair of earrings, each echoing the boat-shaped drop, completes the set.
The enamel work (meenakari-style colour fill) is what sets this piece apart — rather than relying on set stones, colour is baked directly into the metal's surface, giving a richer, more tribal and folk-art feel that pairs naturally with ethnic prints.
A natural match for Kutch, Rajasthani and other folk-inspired prints and silhouettes, and equally striking against a plain solid-colour kurta for contrast.
Folk-themed festivals, Navratri, garba nights, and anyone who collects tribal and enamel-work jewellery.
The enamel colour work on this piece is a genuinely different technique from the stone-setting used on most of our other necklaces — rather than a cut stone sitting in a bezel, the colour here is fused directly onto the metal's surface, which is why the reds, blues, greens and yellows along the chain read as flat, saturated blocks of colour rather than faceted sparkle. It's a look rooted in folk and tribal jewellery traditions rather than the more formal temple or bridal styling of our gold-toned CZ sets.
The elephant pendant at the centre is cast separately from the enamelled chain beads and the boat-shaped drops, then assembled as one piece — worth knowing if you're examining the construction closely, since each element (chain beads, pendant, side drops) has its own slightly different texture up close even though the overall colour palette ties them together.
We'd suggest this piece for someone drawn to folk and tribal jewellery traditions, as a distinctive alternative to our more formal temple-style sets. It's styled with festival occasions in mind, though like most of our jewellery it isn't restricted to just one kind of event.
A quick note on the finish: brass is used as the base metal across our oxidised jewellery because it holds fine engraving and stone-setting better than softer metals, and the darkened, antiqued surface is achieved through an oxidation process rather than paint or coating — which is why it wears evenly rather than chipping or flaking the way a surface coating eventually would. It's the same reason oxidised jewellery is often described as getting more character with age rather than looking worn out.
Care Instructions:
| Stone Type | Monalisa Stone |
| Weight (grams) | 75.00 |
| Colour/Finish | Blue-White |
| Occasion | Festival |
| Gender | women |
| SKU/Product Code | KEYU-NAA3572 |
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