| Stone Type | Kundan, Pearl |
| Weight (g) | 30.00 |
| Colour | Dual Tone |
| Occasion | Wedding |
Two brushed gold leaves spread outward from a silver teardrop, and below them hangs a smooth oxidised bell edged with pearls and small ghungroo bells. The gold here is matte and softly brushed rather than shiny, which is what allows it to sit against oxidised silver without the two metals fighting.
Available in Dual Tone — the combined silver and gold finish shown. There is no separate colour variant for this design.
Most dual tone jewellery uses gold as a thin accent line. Here the gold is given real area — two broad leaves that form the widest part of the earring — so the contrast between the metals is the actual subject rather than a detail. Seen from a distance you read gold and silver as roughly equal halves, which is unusual and is what makes the pair distinctive.
The brushed texture on the leaves matters. A polished gold leaf of this size would look brassy next to antique silver. Brushing it down to a matte finish brings the two metals to a similar level of reflectivity, so they read as a deliberate pairing.
A silver teardrop sits at the lobe, outlined with fine beading and set with a single clear kundan stone at its centre. It is restrained on purpose — with gold leaves and a full bell below, a decorated top would leave nowhere for the eye to rest.
The jhumka is plain and smoothly domed, banded with a raised ring around its widest point. Around the rim hang alternating white pearls and tiny silver ghungroo bells, so the fringe carries two textures at once: bright round pearls and small darker bells that chime very softly as you move.
The split metal finish makes these unusually easy to pair. They sit comfortably with gold bangles or silver ones, and suit both cotton and silk. A plain solid outfit shows the leaf shapes best. Tie your hair back so the gold reads clearly, and keep the necklace short or skip it.
Mixing gold and silver in one piece is harder than it sounds, and most attempts fail for the same reason: the gold is too bright. A high polish gold next to antique silver looks like a mistake, because one surface is throwing light while the other is absorbing it, and the eye reads that as mismatched rather than intentional. The fix used here is to brush the gold down to a matte finish so both metals reflect at a similar level. Once that is right, the colour difference becomes a design feature instead of a clash, and the piece stops looking like two earrings joined together.
It also has a practical benefit. A dual tone piece removes the usual question of whether to wear gold or silver with an outfit, because it has already answered it.
Store them in a zip lock pouch so the fringe does not tangle. Put them on after perfume and hairspray, wipe with a dry soft cloth, and keep them away from water and damp storage.
| Stone Type | Kundan, Pearl |
| Weight (grams) | 30.00 |
| Colour/Finish | Dual Tone |
| Occasion | Wedding |
| Gender | women |
| SKU/Product Code | KEYU-NAA2963 |