| Weight (g) | 60.00 |
| Colour | Silver |
| Occasion | Festival |
Rather than the usual round bangle shape, this kada is built on a distinctive square silhouette, its wide band bordered with dense floral scrollwork in a dual-tone finish — antique gold detailing set against an oxidised silver-dark base. A single hinge opens the kada for wear, closing with a simple screw mechanism.
The dual-tone treatment gives this piece more visual depth than a single-finish kada, with the gold scrollwork standing out clearly against the darker ground. There's no stone setting here — the engraving carries the whole design.
A strong statement piece worn alone, or paired with one or two slim plain bangles on the same wrist rather than a full stack — the square shape is meant to be noticed on its own.
Festivals, weddings, and anyone looking for a kada silhouette that's different from the usual round bangle shape.
The square silhouette genuinely changes how this kada sits on the wrist compared to a round bangle — rather than rotating freely, it tends to settle with its flat faces oriented consistently, which some customers find easier to keep facing outward attractively through the day. The dual-tone finish is applied so that the antique gold sits in the raised scrollwork and the oxidised tone recedes into the background, giving the engraving real contrast rather than a uniform single-colour pattern.
Because there's no stone setting to work around, the screw-mechanism hinge opens cleanly and the kada goes on and off more easily than a solid, stone-set bangle of similar scale might — worth knowing if you find rigid kada designs fiddly to put on alone.
We'd suggest this piece for someone who wants a kada that stands apart from the usual round bangle shape at a festive gathering. It's styled with festival occasions in mind, though like most of our jewellery it isn't restricted to just one kind of event.
A quick note on the finish: brass is used as the base metal across our oxidised jewellery because it holds fine engraving and stone-setting better than softer metals, and the darkened, antiqued surface is achieved through an oxidation process rather than paint or coating — which is why it wears evenly rather than chipping or flaking the way a surface coating eventually would. It's the same reason oxidised jewellery is often described as getting more character with age rather than looking worn out.
Care Instructions:
This is brass with a gold-tone plating rather than solid gold, which keeps the price where it is and the weight low enough to wear comfortably. Plating is a surface rather than a bulk property, so how long it lasts depends almost entirely on what it meets — perfume, hairspray and sweat all shorten it, while a dry cloth after wearing and a closed pouch between wearings extend it considerably.
Put this on after perfume, hairspray and hand cream, and take it off before washing, swimming or sleeping. Wipe with a dry soft cloth and use a dry soft brush around the stone settings and between any pearls, where a cloth cannot reach. Store it in a zip-lock pouch — the single most effective thing for a plated piece, because it keeps humid air off the metal. Never use silver polish, dip cleaners or an ultrasonic cleaner.
| Weight (grams) | 60.00 |
| Colour/Finish | Silver |
| Occasion | Festival |
| Gender | women |
| SKU/Product Code | KEYU-NAA3601 |
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