| Stone Type | Monalisa Stone, Pearl |
| Weight (g) | 90.00 |
| Colour | Red |
| Occasion | Festival |
A wide rectangular plaque sits on a thick black dori, its whole surface filled with stones — a large emerald cut stone at the centre, surrounded by rows of round and teardrop cuts set so close together that almost no silver shows. Beneath it hang three staggered layers of pearl clusters. The matching earrings are long, built from a flower, a rectangle and a stone panel stacked in sequence above their own pearl drops.
Available in 2 colours: Red and Sea Green. The colour refers to the stones across the plaque.
Packing the plaque edge to edge means the piece reads as a field of colour rather than as silver with stones in it. It is a different effect entirely from a design where the metal is visible between settings, and it is why this choker looks considerably richer than its size.
Mixing round and teardrop cuts within that field is what keeps it from looking mechanical. The shapes interlock in a way a single repeated cut could not.
Three staggered rows rather than one, so the fringe has depth and the lower edge of the plaque dissolves into pearls instead of ending in a hard line.
Deliberately long, stacking three elements before the pearls begin. They balance the width of the plaque, which short studs would not.
At the base of the throat on a thick dori that ties to fit. Substantial in appearance; the plaque is thin sheet behind the stone surface, so it is moderate in weight.
Plain solid cotton, handloom and simple silk with an open neckline and hair tied back. Black, charcoal and ivory let the stone field read as a single block of colour.
Setting stones so close together that the metal beneath disappears is called pave, from the French for paved, and it is the most labour intensive way to cover a surface. Every stone needs its own seat, and each one has to be held by tiny beads of metal raised from between its neighbours, so a plaque like this can carry a hundred separate settings. The payoff is a continuous surface with no interruptions, which no single large stone can imitate at the same width. When judging pave work, look at whether the stones sit at an even height and whether the rows follow the shape of the plaque — uneven seating is the usual sign of rushed work.
Never use a silver dip, which strips the oxidised finish. Wipe with a dry soft cloth and store flat so the pearl layers are not crushed.
| Stone Type | Monalisa Stone, Pearl |
| Weight (grams) | 90.00 |
| Colour/Finish | Red |
| Occasion | Festival |
| Gender | women |
| SKU/Product Code | KEYU-NAA2853 |
