| Stone Type | Mirror |
| Weight (g) | 140.00 |
| Colour | Silver |
| Occasion | Festival |
Two rows of small silver flower shaped beads and fluted spacers hang from a black cord. The upper row ends in a small teardrop pendant with a single mirror; the lower row ends in a large round medallion built as a flower — a mirror at the centre, ringed with silver granules, surrounded by petals that are themselves cut mirrors, all set into pierced silver. Below it hangs a fringe of stamped silver coins alternating with pointed silver leaves. The earrings repeat the mirror teardrop above their own coin drops.
Available in Silver — oxidised silver with mirror work.
Making the petals themselves out of mirror, rather than setting one mirror in a metal flower, is what gives the medallion its effect. Every petal reflects separately, so the whole flower flickers as you move instead of catching light in one place.
The coin fringe underneath is the traditional counterweight. It is heavy enough to hold the medallion flat against the body, which is why a pendant this wide does not tip forward.
Stamped silver discs, each with a raised figure, hung on short links so they knock gently against each other. They are the oldest kind of ornament there is — wealth worn rather than stored.
Small flower shaped beads rather than plain round ones, so the rows carry the same floral idea as the medallion rather than simply leading to it.
Two lengths at once, adjustable on the cord. This is a heavy piece by design; the weight is the point of the style and it is best worn for an evening rather than a full day.
Plain solid cotton, khadi and handloom. Black and indigo show the silver best. Nothing else at the neck, and keep bangles simple.
Hanging coins from an ornament is one of the oldest jewellery traditions in the world, and it appears independently across India, Central Asia, North Africa and the Balkans for the same reason: before banks, a woman's jewellery was her own property and her security, and coins were the most liquid form it could take. What began as portable savings became a decorative language of its own, and the fringe survives today purely for how it looks and sounds. The modern versions are stamped rather than struck as currency, but the visual grammar — overlapping discs, movement, a faint metallic sound — is unchanged.
Never use a silver dip, which strips the oxidised finish. Wipe with a dry soft cloth, keep the cord dry, and store it flat so the coins do not tangle.
| Stone Type | Mirror |
| Weight (grams) | 140.00 |
| Colour/Finish | Silver |
| Occasion | Festival |
| Gender | women |
| SKU/Product Code | KEYU-NAA3032 |
