| Stone Type | Kundan, Monalisa Stone, Pearl |
| Weight (g) | 140.00 |
| Colour | White |
| Occasion | Wedding |
A wide collar built from alternating elements rather than one repeated motif: engraved silver bars with beaded edges, gold bordered oval stones, gold rosettes holding petal cut kundan, and a gold plaque set across the front. Below it hangs a large crescent in engraved silver, ringed with pearl clusters and set with a single oval stone. The earrings are round silver discs with gold rosette centres, each carrying a domed jhumka with its own pearl fringe.
Available in 5 colours: Green, White, Ruby, Red and Multi Color. The colour refers to the stones set through the collar and pendant.
Most collars repeat one unit around the neckline. This one changes element every few centimetres, so the eye travels along it instead of taking it in at once, and that variety is what makes a piece this large hold attention rather than read as a block of metal.
The crescent pendant is the anchor. Without it the collar would end at the throat and look unfinished; with it the whole piece gains a vertical line and a clear centre.
A traditional chandra form in engraved silver, hung from a gold ring, with pearl clusters around its outer curve and a single oval stone at the base. It swings slightly as you move, which gives the rigid collar above something alive beneath it.
Full disc and jhumka pairs, not studs. The disc echoes the collar's rosettes and the domed jhumka echoes the crescent, so the two pieces share a vocabulary rather than simply appearing together.
High on the throat with the crescent falling below. This is a full bridal weight set, meant for a ceremony rather than a long day, and it is the only jewellery needed above the waist.
Heavy silks, lehengas and a wide open neckline. Traditional reds, deep greens and mustards suit the dual tone best. Skip a second necklace entirely.
The name comes from the ornaments made for temple deities and for the dancers who performed before them, in South India from roughly the Chola period onward. Its markers are consistent: heavy gold or gold plated silver, deity and animal figures, thick granulated borders, uncut stones set in raised collets rather than faceted stones set flush, and a preference for weight and presence over delicacy. Modern pieces in the style keep the vocabulary — the rosettes, the crescents, the beaded edges — while using silver and plating so the scale remains wearable. Recognising those markers is what tells you whether a piece is genuinely in the tradition or simply ornate.
Store it flat in a pouch so the pearl clusters are not crushed. Put it on after perfume and hair spray, wipe with a dry soft cloth, and keep it away from water.
| Stone Type | Kundan, Monalisa Stone, Pearl |
| Weight (grams) | 140.00 |
| Colour/Finish | White |
| Occasion | Wedding |
| Gender | women |
| SKU/Product Code | KEYU-NAA3259 |
